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	<title>Comments for Just TV</title>
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	<link>http://justtv.wordpress.com</link>
	<description>random thoughts from media scholar Jason Mittell</description>
	<lastBuildDate>Tue, 29 May 2012 19:41:15 +0000</lastBuildDate>
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		<title>Comment on Complex TV: Transmedia Storytelling by Techs related to transmedia storytelling may pave the way nicely for more educationally-related apps</title>
		<link>http://justtv.wordpress.com/2012/05/21/complex-tv-transmedia-storytelling/#comment-14945</link>
		<dc:creator><![CDATA[Techs related to transmedia storytelling may pave the way nicely for more educationally-related apps]]></dc:creator>
		<pubDate>Tue, 29 May 2012 19:41:15 +0000</pubDate>
		<guid isPermaLink="false">http://justtv.wordpress.com/?p=966#comment-14945</guid>
		<description><![CDATA[[...] this excerpt from Complex TV: Transmedia Storytelling &#8212; by Jason Mittell, Associate Professor of American Studies and Film &amp; Media Culture at [...]]]></description>
		<content:encoded><![CDATA[<p>[...] this excerpt from Complex TV: Transmedia Storytelling &#8212; by Jason Mittell, Associate Professor of American Studies and Film &amp; Media Culture at [...]</p>
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		<title>Comment on Behind the Scenes of a Serialized Intertext by gavinpandion</title>
		<link>http://justtv.wordpress.com/2012/05/25/behind-the-scenes-of-a-serialized-intertext/#comment-14922</link>
		<dc:creator><![CDATA[gavinpandion]]></dc:creator>
		<pubDate>Sat, 26 May 2012 21:20:01 +0000</pubDate>
		<guid isPermaLink="false">http://justtv.wordpress.com/?p=972#comment-14922</guid>
		<description><![CDATA[Just discovered your blog, and want to drop a quick thank you for conveying media criticism in a lay person&#039;s English. So much critical writing about this sort of thing is coded in postmodern jargon I don&#039;t have time to unpack, but it&#039;s fascinating to watch the experts pick apart the phenomenon while engaging with it like field ethnographers apprenticing under witchdoctors in a state of suspended disbelief.]]></description>
		<content:encoded><![CDATA[<p>Just discovered your blog, and want to drop a quick thank you for conveying media criticism in a lay person&#8217;s English. So much critical writing about this sort of thing is coded in postmodern jargon I don&#8217;t have time to unpack, but it&#8217;s fascinating to watch the experts pick apart the phenomenon while engaging with it like field ethnographers apprenticing under witchdoctors in a state of suspended disbelief.</p>
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		<title>Comment on Complex TV: Orienting Paratexts by Behind the Scenes of a Serialized Intertext &#171; Just TV</title>
		<link>http://justtv.wordpress.com/2012/04/20/complex-tv-orienting-paratexts/#comment-14906</link>
		<dc:creator><![CDATA[Behind the Scenes of a Serialized Intertext &#171; Just TV]]></dc:creator>
		<pubDate>Fri, 25 May 2012 12:47:05 +0000</pubDate>
		<guid isPermaLink="false">http://justtv.wordpress.com/?p=956#comment-14906</guid>
		<description><![CDATA[[...] texts. I document some of the most interesting examples I&#8217;ve found in my chapter on &#8220;Orienting Paratexts,&#8221; ranging from The Tommy Westphall Universe Theory to The Wire&#8216;s D&amp;D alignment [...]]]></description>
		<content:encoded><![CDATA[<p>[...] texts. I document some of the most interesting examples I&#8217;ve found in my chapter on &#8220;Orienting Paratexts,&#8221; ranging from The Tommy Westphall Universe Theory to The Wire&#8216;s D&amp;D alignment [...]</p>
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		<title>Comment on Community and Dan Harmon&#8217;s Imploding Author Function by Upfronts 2012: Nachwehen und etwas zu Dan Harmon &#171; tvaddictfromgermany</title>
		<link>http://justtv.wordpress.com/2012/05/19/community-and-dan-harmons-imploding-author-function/#comment-14879</link>
		<dc:creator><![CDATA[Upfronts 2012: Nachwehen und etwas zu Dan Harmon &#171; tvaddictfromgermany]]></dc:creator>
		<pubDate>Wed, 23 May 2012 08:02:25 +0000</pubDate>
		<guid isPermaLink="false">http://justtv.wordpress.com/?p=964#comment-14879</guid>
		<description><![CDATA[[...] Jason Mittell betrachtet die Sache aus eher analytischer Sicht und die Bedeutung für die Funktion des Autors im Network-TV [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Jason Mittell betrachtet die Sache aus eher analytischer Sicht und die Bedeutung für die Funktion des Autors im Network-TV [...]</p>
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		<title>Comment on Community and Dan Harmon&#8217;s Imploding Author Function by Weekend! &#171; Gerry Canavan</title>
		<link>http://justtv.wordpress.com/2012/05/19/community-and-dan-harmons-imploding-author-function/#comment-14862</link>
		<dc:creator><![CDATA[Weekend! &#171; Gerry Canavan]]></dc:creator>
		<pubDate>Sun, 20 May 2012 12:34:13 +0000</pubDate>
		<guid isPermaLink="false">http://justtv.wordpress.com/?p=964#comment-14862</guid>
		<description><![CDATA[[...] From the Dan Harmon files: Community and Dan Harmon&#8217;s Imploding Author Function. The Darkest Timeline. Daniel Fienberg. Josef Adalian. Maureen [...]]]></description>
		<content:encoded><![CDATA[<p>[...] From the Dan Harmon files: Community and Dan Harmon&#8217;s Imploding Author Function. The Darkest Timeline. Daniel Fienberg. Josef Adalian. Maureen [...]</p>
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		<title>Comment on Community and Dan Harmon&#8217;s Imploding Author Function by paulramaeker</title>
		<link>http://justtv.wordpress.com/2012/05/19/community-and-dan-harmons-imploding-author-function/#comment-14857</link>
		<dc:creator><![CDATA[paulramaeker]]></dc:creator>
		<pubDate>Sun, 20 May 2012 02:09:56 +0000</pubDate>
		<guid isPermaLink="false">http://justtv.wordpress.com/?p=964#comment-14857</guid>
		<description><![CDATA[Excellent piece, Jason. You know, I&#039;m teaching authorship in the New Hollywood now, and we are at the point in the semester where I&#039;m negotiating poststructuralism and historical poetics in terms of where and how we can locate an author in relation to the creation of the text while acknowledging the functions of the discourse of the author extratextually, and you do that really well here. You also helped me understand Sony&#039;s position, even if I wish they had kept Harmon in a more active capacity; at the same time, Harmon&#039;s response to this probably means that even if the consulting-producer gig was going to involve some active participation in making the show (more than he thought it would based on his blog/tweets), it sure won&#039;t now.]]></description>
		<content:encoded><![CDATA[<p>Excellent piece, Jason. You know, I&#8217;m teaching authorship in the New Hollywood now, and we are at the point in the semester where I&#8217;m negotiating poststructuralism and historical poetics in terms of where and how we can locate an author in relation to the creation of the text while acknowledging the functions of the discourse of the author extratextually, and you do that really well here. You also helped me understand Sony&#8217;s position, even if I wish they had kept Harmon in a more active capacity; at the same time, Harmon&#8217;s response to this probably means that even if the consulting-producer gig was going to involve some active participation in making the show (more than he thought it would based on his blog/tweets), it sure won&#8217;t now.</p>
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		<title>Comment on Community and Dan Harmon&#8217;s Imploding Author Function by Shann Palmer</title>
		<link>http://justtv.wordpress.com/2012/05/19/community-and-dan-harmons-imploding-author-function/#comment-14856</link>
		<dc:creator><![CDATA[Shann Palmer]]></dc:creator>
		<pubDate>Sat, 19 May 2012 22:43:33 +0000</pubDate>
		<guid isPermaLink="false">http://justtv.wordpress.com/?p=964#comment-14856</guid>
		<description><![CDATA[I have basically left network TV for cable and internet shows anyway. This is one last blow to my devotion to NBC. As far as I&#039;m concerned, this will also affect my local affiliates. I don&#039;t need their news the same way I no longer need my local newspaper, I use the web.]]></description>
		<content:encoded><![CDATA[<p>I have basically left network TV for cable and internet shows anyway. This is one last blow to my devotion to NBC. As far as I&#8217;m concerned, this will also affect my local affiliates. I don&#8217;t need their news the same way I no longer need my local newspaper, I use the web.</p>
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		<title>Comment on Community and Dan Harmon&#8217;s Imploding Author Function by Boob Tube Dude » If Dan Harmon were Don Draper, He Might Still Have a Job</title>
		<link>http://justtv.wordpress.com/2012/05/19/community-and-dan-harmons-imploding-author-function/#comment-14855</link>
		<dc:creator><![CDATA[Boob Tube Dude » If Dan Harmon were Don Draper, He Might Still Have a Job]]></dc:creator>
		<pubDate>Sat, 19 May 2012 20:34:56 +0000</pubDate>
		<guid isPermaLink="false">http://justtv.wordpress.com/?p=964#comment-14855</guid>
		<description><![CDATA[[...] Jason Mittell [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Jason Mittell [...]</p>
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		<title>Comment on Girls and the Jump to Judge by Reconsidering GIRLS &#171; judgmental observer</title>
		<link>http://justtv.wordpress.com/2012/04/17/girls-and-the-jump-to-judge/#comment-14851</link>
		<dc:creator><![CDATA[Reconsidering GIRLS &#171; judgmental observer]]></dc:creator>
		<pubDate>Sat, 19 May 2012 18:28:23 +0000</pubDate>
		<guid isPermaLink="false">http://justtv.wordpress.com/?p=954#comment-14851</guid>
		<description><![CDATA[[...] text her enough? Or that her best friend is dating a man &#8220;with a vagina&#8221;? If, according to Jason Mittell, the goal of a pilot is &#8220;to educate viewers on what the show is, and inspire us to keep [...]]]></description>
		<content:encoded><![CDATA[<p>[...] text her enough? Or that her best friend is dating a man &#8220;with a vagina&#8221;? If, according to Jason Mittell, the goal of a pilot is &#8220;to educate viewers on what the show is, and inspire us to keep [...]</p>
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		<title>Comment on Community and Dan Harmon&#8217;s Imploding Author Function by AKS99</title>
		<link>http://justtv.wordpress.com/2012/05/19/community-and-dan-harmons-imploding-author-function/#comment-14850</link>
		<dc:creator><![CDATA[AKS99]]></dc:creator>
		<pubDate>Sat, 19 May 2012 18:25:59 +0000</pubDate>
		<guid isPermaLink="false">http://justtv.wordpress.com/?p=964#comment-14850</guid>
		<description><![CDATA[Well said. We just feel betrayed. Looks like NBC &amp; Sony are sticking their heads in the sand. If only it was handled differently, the cast, the crew, etc. wouldn&#039;t be wondering, what&#039;s next? what now? My brain is sad.]]></description>
		<content:encoded><![CDATA[<p>Well said. We just feel betrayed. Looks like NBC &amp; Sony are sticking their heads in the sand. If only it was handled differently, the cast, the crew, etc. wouldn&#8217;t be wondering, what&#8217;s next? what now? My brain is sad.</p>
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		<title>Comment on Justifying David Simon by RachelIBK</title>
		<link>http://justtv.wordpress.com/2012/04/11/justifying-david-simon/#comment-14676</link>
		<dc:creator><![CDATA[RachelIBK]]></dc:creator>
		<pubDate>Tue, 01 May 2012 09:52:08 +0000</pubDate>
		<guid isPermaLink="false">http://justtv.wordpress.com/?p=950#comment-14676</guid>
		<description><![CDATA[Hi Jason,

On Number 1, point taken. Number 2, I still have some reservations. I think Simon has every right to point out what his (and Price&#039;s and Lehane&#039;s, etc) central concerns were when making the show. I&#039;m just not sure that something like the fan pool precludes a serious consideration of the series as a whole. Simon has always been very clear about what he was trying to say with the show, but I guess I have issues with his repeated characterization of The Wire against other TV, and his assertation that most shows pander to the low common denominator. Give that episode structure and deep character development are hallmarks of TV, it seems like his problem is with the way people typically respond to shows. Yes, The Wire is different from a lot of TV and it trying to do some very new things. But it&#039;s still a television show, released in individual episodes and with deeply drawn characters. It may not be policing reception, but it does come across as a kind of disdain for the form of television, which is a pity coming from a man who has made some of the best TV around. It makes sense that someone with a critical perspective would be to create something that often feels new and innovative, but it also shows a bit of narrow-minded, outdated thinking about what TV &quot;is&quot;.]]></description>
		<content:encoded><![CDATA[<p>Hi Jason,</p>
<p>On Number 1, point taken. Number 2, I still have some reservations. I think Simon has every right to point out what his (and Price&#8217;s and Lehane&#8217;s, etc) central concerns were when making the show. I&#8217;m just not sure that something like the fan pool precludes a serious consideration of the series as a whole. Simon has always been very clear about what he was trying to say with the show, but I guess I have issues with his repeated characterization of The Wire against other TV, and his assertation that most shows pander to the low common denominator. Give that episode structure and deep character development are hallmarks of TV, it seems like his problem is with the way people typically respond to shows. Yes, The Wire is different from a lot of TV and it trying to do some very new things. But it&#8217;s still a television show, released in individual episodes and with deeply drawn characters. It may not be policing reception, but it does come across as a kind of disdain for the form of television, which is a pity coming from a man who has made some of the best TV around. It makes sense that someone with a critical perspective would be to create something that often feels new and innovative, but it also shows a bit of narrow-minded, outdated thinking about what TV &#8220;is&#8221;.</p>
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		<title>Comment on The Wire in the context of American television by Watching &#8220;The Wire&#8221;: Storytelling in the Digital Age &#124; Too Suen?</title>
		<link>http://justtv.wordpress.com/2010/02/09/the-wire-in-the-context-of-american-television/#comment-14623</link>
		<dc:creator><![CDATA[Watching &#8220;The Wire&#8221;: Storytelling in the Digital Age &#124; Too Suen?]]></dc:creator>
		<pubDate>Thu, 26 Apr 2012 19:43:41 +0000</pubDate>
		<guid isPermaLink="false">http://justtv.wordpress.com/?p=516#comment-14623</guid>
		<description><![CDATA[[...] and “burners” (a disposable pre-paid cell phone). This technique of “productive confusion,” as Jason Mittell has described, has not been replicated to such an extent elsewhere on American television. We are forced to learn [...]]]></description>
		<content:encoded><![CDATA[<p>[...] and “burners” (a disposable pre-paid cell phone). This technique of “productive confusion,” as Jason Mittell has described, has not been replicated to such an extent elsewhere on American television. We are forced to learn [...]</p>
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		<title>Comment on Girls and the Jump to Judge by OUPblog &#187; Blog Archive &#187; Girls and the Jump to Judge</title>
		<link>http://justtv.wordpress.com/2012/04/17/girls-and-the-jump-to-judge/#comment-14580</link>
		<dc:creator><![CDATA[OUPblog &#187; Blog Archive &#187; Girls and the Jump to Judge]]></dc:creator>
		<pubDate>Sun, 22 Apr 2012 17:01:56 +0000</pubDate>
		<guid isPermaLink="false">http://justtv.wordpress.com/?p=954#comment-14580</guid>
		<description><![CDATA[[...] This article originally appeared on JustTV.  Jason Mittell is Associate Professor of American Studies and Film &amp; Media Culture at Middlebury College. He is the author of Television and American Culture, Genre and Television: From Cop Shows to Cartoons in American Culture (2004), numerous journal essays and book chapters, the blog &#8220;Just TV,&#8221; and tweets at @jmittell. He is currently a Fellow at the Lichtenberg-Kolleg at the University of Göttingen, collaborating with the Research Unit on Popular Seriality, where he is writing his newest book project, Complex Television: The Poetics of Contemporary Television Storytelling, to be published by New York University Press and available in-process for open peer review via MediaCommons Press. [...]]]></description>
		<content:encoded><![CDATA[<p>[...] This article originally appeared on JustTV.  Jason Mittell is Associate Professor of American Studies and Film &amp; Media Culture at Middlebury College. He is the author of Television and American Culture, Genre and Television: From Cop Shows to Cartoons in American Culture (2004), numerous journal essays and book chapters, the blog &#8220;Just TV,&#8221; and tweets at @jmittell. He is currently a Fellow at the Lichtenberg-Kolleg at the University of Göttingen, collaborating with the Research Unit on Popular Seriality, where he is writing his newest book project, Complex Television: The Poetics of Contemporary Television Storytelling, to be published by New York University Press and available in-process for open peer review via MediaCommons Press. [...]</p>
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		<title>Comment on Justifying David Simon by OUPblog &#187; Blog Archive &#187; Girls and the Jump to Judge</title>
		<link>http://justtv.wordpress.com/2012/04/11/justifying-david-simon/#comment-14579</link>
		<dc:creator><![CDATA[OUPblog &#187; Blog Archive &#187; Girls and the Jump to Judge]]></dc:creator>
		<pubDate>Sun, 22 Apr 2012 16:32:04 +0000</pubDate>
		<guid isPermaLink="false">http://justtv.wordpress.com/?p=950#comment-14579</guid>
		<description><![CDATA[[...] This is particularly troubling when commenters and critics raise other programs in comparison, as I’ve seen people hold it up negatively (as well as positively) to a range of shows, including Louie, Seinfeld, Entourage (yeah, really), and Sex and the City. But all of those programs have had years under their belts and none of them started particularly strong themselves. Comparing a pilot to a long-running series is hazardous terrain, as you need to imagine that you only know its first installment, while still framed by how it develops into a long-running and/or acclaimed series. And, of course, this all echoes my last post about the dangers of trying to assess a program mid-season. [...]]]></description>
		<content:encoded><![CDATA[<p>[...] This is particularly troubling when commenters and critics raise other programs in comparison, as I’ve seen people hold it up negatively (as well as positively) to a range of shows, including Louie, Seinfeld, Entourage (yeah, really), and Sex and the City. But all of those programs have had years under their belts and none of them started particularly strong themselves. Comparing a pilot to a long-running series is hazardous terrain, as you need to imagine that you only know its first installment, while still framed by how it develops into a long-running and/or acclaimed series. And, of course, this all echoes my last post about the dangers of trying to assess a program mid-season. [...]</p>
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		<title>Comment on Awake teaches us how to watch and accept by OUPblog &#187; Blog Archive &#187; Girls and the Jump to Judge</title>
		<link>http://justtv.wordpress.com/2012/03/02/awake-teaches-us-how-to-watch-and-accept/#comment-14577</link>
		<dc:creator><![CDATA[OUPblog &#187; Blog Archive &#187; Girls and the Jump to Judge]]></dc:creator>
		<pubDate>Sun, 22 Apr 2012 07:30:21 +0000</pubDate>
		<guid isPermaLink="false">http://justtv.wordpress.com/?p=927#comment-14577</guid>
		<description><![CDATA[[...] making me laugh a fair amount. It wasn’t perfect &#8212; and if you’re comparing such things, I thought that Awake was still the strongest pilot of the year &#8212; as it did leave a little too much ambiguity as to how much we’re supposed to be laughing [...]]]></description>
		<content:encoded><![CDATA[<p>[...] making me laugh a fair amount. It wasn’t perfect &#8212; and if you’re comparing such things, I thought that Awake was still the strongest pilot of the year &#8212; as it did leave a little too much ambiguity as to how much we’re supposed to be laughing [...]</p>
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