Posts Tagged ‘The Wire’

I am filled with joy, relief, and many other emotions in posting the link to the final chapter of Complex TV. Not accidentally, the chapter is called Ends, and it focuses on conclusions, as well as serving as one for the book. Here’s the abstract: American commercial television differs from much of the world in […]


So. For those readers who have been following my book-in-progress Complex TV, you may have noticed a lengthy hiatus since I last posted a chapter. Not coincidentally, the last chapter I posted was in August 2012, shortly before returning to the classroom after my sabbatical. Since then, my writing process has stalled considerably, in large […]


Lately I’ve become more and more intrigued by Digital Humanities as a subfield/movement/trend/etc. within academia, in large part because the people who are actively driving much of DH are super engaging & welcoming via social networks like Twitter and various blogs. As I am committed to open access publishing, public-facing scholarship, and innovative modes of […]


It’s time for another chapter of Complex TV – this one focuses on questions of evaluation in television scholarship. Here’s the abstract: Television studies, as forged by the influence of cultural studies, has been loath to include critical evaluation in its toolbox, as television’s own spot on the receiving end of numerous aesthetic condemnations has […]


I finished watching the second season of Game of Thrones last night, which I enjoyed, but liked less than the first season (no spoilers forthcoming if you’re not caught up yet). I think a large part of that distinction came from how I watched them – like many, I came to season one late, bingeing on […]


I’m happy to announce that the next chapter of Complex TV has been posted. It’s focused on Authorship in contemporary serial television, and I think it’s all never-before-published material. I’ve been giving a talk based on this chapter for this spring, and have been really happy with the conversation it provokes – and I do intend […]


Last week, the TV-themed corners of the Internets were all atwitter around a pair of interviews David Simon gave, first to The New York Times, then to Alan Sepinwall at HitFix. I won’t try to summarize them fully, but I did want to weigh in on one of Simon’s core arguments about the place of episodic criticism. […]


Over the past day, the internet – well, at least the corner of the internet that chatters and Twitters about television – blew up around Ryan McGee’s essay on The A.V. Club, provocatively titled “Did The Sopranos do more harm than good?: HBO and the decline of the episode.” It’s a must-read for people who are […]


Recently there has been a debate raging within the film world around The Artist‘s appropriation of Bernard Hermann’s score to Vertigo (which itself appropriates Wagner), and Kim Novak’s poorly-worded attack on this act of cultural borrowing. The best response is to borrow more, as exemplified by Kevin Lee and Matt Zoller Seitz’s video remix contest at […]


This is a busy week for the Popular Seriality group I’m working with here in Göttingen. First, we took over In Media Res for a series of posts about seriality – my own contribution was on Wednesday, focused on Breaking Bad and how it constructs character interiority through serial memory. Head over and join the conversation! […]


I’m in New Orleans for the annual conference of the Society for Cinema & Media Studies. I’m actually blogging the conference for the society’s new official website, an experiment in covering a conference from the ground from the perspective of four participants – you need to login to read the blogs, but if you’re not […]


Just a quick post to link to a couple of nice pieces about my class (and others) exploring The Wire. First off, last month Slate had the most detailed and substantive discussion of the range of courses that have developed across disciplines and institutions. A key issue that came through in my conversation with the […]


In teaching my course on The Wire last year, I had my students do collaborative research & writing projects on various “contexts” that the show engages with, such as urban education, the drug war, and Baltimore history. This year, I’ve decided not to use that assignment – in part because the old projects are still […]


Serial Boxes

20Jan10

Last summer, I was invited as a keynote presenter for a conference on serial form at the University of Zurich – I blogged previously about the conference and my presentation. Now the conference organizers are publishing the proceedings, translating all of the English papers into German. Since I spoke off an outline, I needed to […]


It’s been an odd fall for this blog – despite a tremendous surge in page views (prompted by my posts on running a faculty search at Middlebury), I’ve had virtually nothing to say about television (or much else, due to the time spent on that search and other administrative & teaching tasks). Hopefully the next […]



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