Archive for the ‘Publishing’ Category
I’ve produced and posted the final video (save the introduction) for my videographic book, The Chemistry of Character in Breaking Bad. As discussed below, this chapter has one of the most extensive written commentaries, which I’ve reproduced to present and contextualize the video. (All the videos are now available in tentative sequence on my Vimeo […]
Filed under: Publishing, Television, TV Shows, Videographic Criticism | Leave a Comment
Tags: breaking bad, character, videographicBB
Some Videographic Updates
I just returned from a truly exceptional conference: The Theory and Practice of the Video Essay at University of Massachusetts – Amherst. Not only was there the simple joy of attending my first in-person conference in three years, but it was best type of conference: a single-stream of presentations that help to connect and build […]
Filed under: Academia, Conferences, Publishing, Television, Videographic Criticism | Leave a Comment
Tags: breaking bad, conferences, videographicBB
The Sounds of Silent Mike
I’m excited to share the next video in my Breaking Bad project, “The Sounds of Silent Mike,” focused on fan-favorite character Mike Ehrmantraut. This was a nice palate cleanser for me, after spending around a month laboring on my last video, “Breaking Genre“—this video only took two days of editing to produce, as its scope, […]
Filed under: Publishing, Television, TV Shows, Videographic Criticism | Leave a Comment
Tags: breaking bad, character, sound, videographic criticism, videographicBB
In the spirit of the season, I am pleased to announce a gift to anyone who wants it: a new open access, multimedia site, The Videographic Essay: Practice and Pedagogy, available at videographicessay.org. This site collects both previously-published and new versions of writings by Christian Keathley, Catherine Grant, and me, as well as numerous examples […]
Filed under: Academia, digital humanities, Media Studies, Open Access, Publishing, Teaching, Videographic Criticism | 1 Comment
My Plans for an Audiovisual Book
As of today, I am officially on leave for the next academic year. I recognize what a privilege it is to get such a leave, as the tradition of the tenured academic position with regular leaves for focused research is becoming more rare and confined to elite institutions (and only some appointments within such institutions […]
Filed under: Academia, Complex TV, digital humanities, Narrative, Open Access, Publishing, Sabbatical, Television, Videographic Criticism | 7 Comments
Tags: breaking bad, character, videographicBB
Institutionalizing Open Access
As of today, my institution Middlebury College has officially embraced open access as the default way that faculty share our research. What this means is that we have adopted a policy whereby faculty grant the institution a license to republish their scholarly essays in an online open access repository, making it standard that copies of faculty […]
Filed under: Academia, Middlebury, Open Access, Publishing | Leave a Comment
I’m excited to announce the publication of my latest book, The Videographic Essay: Criticism in Sound and Image. [Update: as of 2019, the content is open access!] It’s a gratifying publication in many ways. It is the first project that I have co-authored with my good friend and colleague Christian Keathley, and as such, it was […]
Filed under: Books, digital humanities, Fair Use, Not Quite TV, Open Access, Publishing, Technology, Videographic Criticism | 4 Comments
Tags: videocamp
I am quite excited to announce my newest publication, as it marks my first venture into a fully realized work of videographic criticism. “Adaptation.‘s Anomalies” was just published in [in]Transition, culminating a project I began at the Scholarship in Sound & Image workshop we hosted in Middlebury last summer. (I’m also presenting the video on a […]
Filed under: digital humanities, Film, Narrative, Not Quite TV, Publishing, Videographic Criticism | Leave a Comment
Tags: adaptation, videocamp
Blurbing and Peer Review
I’ve griped about the problems with closed peer review in academic publishing before, whether in the black box of tenure reviews, or celebrating the open review for Complex TV, or wondering about Why a Book?, or envisioning new possibilities with MediaCommons. My unifying frustration in all of these gripes is that throughout academia, the strongest […]
Filed under: Academia, Books, Media Studies, Publishing | 2 Comments
Tags: open review, peer review
This is the third and final (and, to me, most interesting) excerpt from my essay draft on “Videographic Criticism as a Digital Humanities Method.” The first laid out my approach to deformative criticism via the format of PechaKuchas; the second explored videographic 10/40/70 analyses. I highly recommend watching some of the musical videos discussed near […]
Filed under: Academia, digital humanities, Film, New Media, Publishing, Videographic Criticism | 3 Comments
Tags: A Hard Day's Night, average shot length, Cinemetrics, Mildred Pierce, Moulin Rouge, Mulholland Drive, Raiders of the Lost Ark, Singin' in the Rain
One of the outcomes for the Scholarship in Sound and Image workshop we hosted in June is a forthcoming book, The Videographic Essay: Criticism in Sound and Image, that Christian Keathley and I are writing/editing. I’ve written a chapter focused on copyright and fair use issues, which I have posted below for open commentary and […]
Filed under: Academia, Copyright, Fair Use, Publishing, Technology, Videographic Criticism | 1 Comment
Tags: videocamp
Complex TV has arrived!
I’m holding in my hand a copy of my new book, Complex TV: The Poetics of Contemporary Television Storytelling. Every book is its own unique journey. This one feels like the longest (which it was) and most significant, at least intellectually if not professionally. I presented the earliest version of the ideas that would eventually […]
Filed under: Academia, Books, Complex TV, Narrative, Publishing, Television | 1 Comment