Archive for the ‘Publishing’ Category

I am quite excited to announce my newest publication, as it marks my first venture into a fully realized work of videographic criticism. “Adaptation.‘s Anomalies” was just published in [in]Transition, culminating a project I began at the Scholarship in Sound & Image workshop we hosted in Middlebury last summer. (I’m also presenting the video on a […]


I’ve griped about the problems with closed peer review in academic publishing before, whether in the black box of tenure reviews, or celebrating the open review for Complex TV, or wondering about Why a Book?, or envisioning new possibilities with MediaCommons. My unifying frustration in all of these gripes is that throughout academia, the strongest […]


This is the third and final (and, to me, most interesting) excerpt from my essay draft on “Videographic Criticism as a Digital Humanities Method.” The first laid out my approach to deformative criticism via the format of PechaKuchas; the second explored videographic 10/40/70 analyses. I highly recommend watching some of the musical videos discussed near […]


I’ve spent the last month working on an essay called “Videographic Criticism as Digital Humanities Method” for the second edition of Debates in the Digital Humanities. The full essay should be online soon for open peer review, but I want to share three excerpts that feature numerous video examples, as the blog is an easier […]


One of the outcomes for the Scholarship in Sound and Image workshop we hosted in June is a forthcoming book, The Videographic Essay: Criticism in Sound and Image, that Christian Keathley and I are writing/editing. I’ve written a chapter focused on copyright and fair use issues, which I have posted below for open commentary and […]


Every year, WordPress sends users a Year-in-Review email highlighting all of your blogging over the past year. For 2015, my blogging consisted of… four posts. This made me sad. So even though I don’t typically do them, I’m making a New Year’s resolution to blog more. I’m not going to wait until I have a […]


I’m holding in my hand a copy of my new book, Complex TV: The Poetics of Contemporary Television Storytelling. Every book is its own unique journey. This one feels like the longest (which it was) and most significant, at least intellectually if not professionally. I presented the earliest version of the ideas that would eventually […]


I have two new book chapters out that I want to share. The first is an essay called “Lengthy Interactions with Hideous Men: Walter White and the Serial Poetics of Television Antiheroes,” published in a brand new anthology, Storytelling in the Media Convergence Age: Exploring Screen Narratives, edited by Roberta Pearson and Anthony Smith. The […]


I am quite excited to announce the publication of my latest book, How to Watch Television. Of course, in this instance, “my” should really be “our,” as the book was edited by me and my friend Ethan Thompson, and features 40 essays by an all-star line-up of media scholars young and old, familiar faces and […]


I am filled with joy, relief, and many other emotions in posting the link to the final chapter of Complex TV. Not accidentally, the chapter is called Ends, and it focuses on conclusions, as well as serving as one for the book. Here’s the abstract: American commercial television differs from much of the world in […]


As I mentioned in my previous post, my first stop on my return trip to Germany was to give the keynote address at the Popular Seriality Conference in my old hometown of Göttingen. I plan on incorporating this talk into my final chapter of Complex TV, but want to share it here first for any feedback […]


I’m spending the next few days in Chicago at the Society for Cinema & Media Studies conference, the annual gathering of scholars that I rarely miss (save for last year’s European stay). Below the fold is the paper I’m presenting Thursday on a panel about the state of television studies as a field – it’s […]


It’s been a quiet month on the blogging and writing front, as I’ve taken a break from Complex TV to undertake the big move from Germany back to Vermont, and take some time for family vacation. But I hope to return to the book later this week to respond to comments, post new chapters, and finish […]


One of the most circulated and discussed articles in online academic circles last week was Bruce Henderson’s Chronicle piece arguing for the importance of acknowledging reading as a key part of our scholarly labor. I really liked this article, less for his coining of the awkward neologism “consumatory scholarship” to describe the practice of academic reading, […]


As regular readers know, I’ve been serializing my new book, Complex TV: The Poetics of Contemporary Television Storytelling, in a pre-publication draft at MediaCommons. One of the goals of publishing the manuscript online like this is to challenge some of the norms of academic publishing and peer review, as advocated & modelled by Kathleen Fitzpatrick […]



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