Archive for the ‘Videographic Criticism’ Category
The Return of Videocamp
The month of June was spent preparing for, and then leading, the second installment of our NEH-funded workshop, Scholarship in Sound and Image, a.k.a. “videocamp.” (See this excellent article that my student Will DiGravio wrote for our local paper for a good account of the workshop and ideas behind it.) Much like the first iteration […]
Filed under: Academia, digital humanities, Videographic Criticism | 1 Comment
Tags: Better Call Saul, The Wire
As mentioned last month, we’ve been fortunate enough to get another NEH grant to conduct two more videographic criticism workshops at Middlebury, in June 2017 and June 2018. We are now accepting applications for the 2017 workshop, which is open to graduate students in Film & Media Studies or related disciplines. Please spread the word […]
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I am tremendously excited to announce that Christian Keathley and I received another Institute for Advanced Topics in the Digital Humanities grant from the National Endowment for the Humanities, allowing us to host two additional years of our videographic criticism workshop, Scholarship in Sound & Image, at Middlebury College in 2017 and 2018!!! The first workshop […]
Filed under: Academia, digital humanities, Middlebury, New Media, Videographic Criticism | 1 Comment
I’m excited to announce the publication of my latest book, The Videographic Essay: Criticism in Sound and Image. It’s a gratifying publication in many ways. It is the first project that I have co-authored with my good friend and colleague Christian Keathley, and as such, it was quite fun to put together. It is based on […]
Filed under: Books, digital humanities, Fair Use, Not Quite TV, Open Access, Publishing, Technology, Videographic Criticism | 4 Comments
I am quite excited to announce my newest publication, as it marks my first venture into a fully realized work of videographic criticism. “Adaptation.‘s Anomalies” was just published in [in]Transition, culminating a project I began at the Scholarship in Sound & Image workshop we hosted in Middlebury last summer. (I’m also presenting the video on a […]
Filed under: digital humanities, Film, Narrative, Not Quite TV, Publishing, Videographic Criticism | Leave a Comment
Tags: adaptation
This is the third and final (and, to me, most interesting) excerpt from my essay draft on “Videographic Criticism as a Digital Humanities Method.” The first laid out my approach to deformative criticism via the format of PechaKuchas; the second explored videographic 10/40/70 analyses. I highly recommend watching some of the musical videos discussed near […]
Filed under: Academia, digital humanities, Film, New Media, Publishing, Videographic Criticism | 2 Comments
Tags: A Hard Day's Night, average shot length, Cinemetrics, Mildred Pierce, Moulin Rouge, Mulholland Drive, Raiders of the Lost Ark, Singin' in the Rain
This is the second excerpt from my essay draft on “Videographic Criticism as a Digital Humanities Method.” The first laid out my approach to deformative criticism via the format of PechaKuchas. This one moves toward another instance of deformation, inspired by the work of Nicholas Rombes. Videographic PechaKuchas take inspiration from another form, the oral […]
Filed under: Academia, digital humanities, Film, Media Studies, Technology, Videographic Criticism | 2 Comments
Tags: Fargo, Mildred Pierce, Nicholas Rombes, Raiders of the Lost Ark, Star Wars
One of the outcomes for the Scholarship in Sound and Image workshop we hosted in June is a forthcoming book, The Videographic Essay: Criticism in Sound and Image, that Christian Keathley and I are writing/editing. I’ve written a chapter focused on copyright and fair use issues, which I have posted below for open commentary and […]
Filed under: Academia, Copyright, Fair Use, Publishing, Technology, Videographic Criticism | 1 Comment
Making Videographic Criticism
The last two weeks were some of the most exciting and energizing of my academic career. My colleague Chris Keathley and I hosted an NEH-sponsored digital humanities workshop at Middlebury, called Scholarship in Sound & Image, focused on producing videographic criticism. We define videographic criticism as creating videos that serve an analytic or critical purpose, […]
Filed under: Academia, Film, Middlebury, New Media, Not Quite TV, Open Access, Videographic Criticism | 11 Comments
Tags: adaptation, digital humanities, remix video
