Archive for the ‘Videographic Criticism’ Category
The Sounds of Silent Mike
I’m excited to share the next video in my Breaking Bad project, “The Sounds of Silent Mike,” focused on fan-favorite character Mike Ehrmantraut. This was a nice palate cleanser for me, after spending around a month laboring on my last video, “Breaking Genre“—this video only took two days of editing to produce, as its scope, […]
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Tags: breaking bad, character, sound, videographic criticism
Earlier today, I debuted my newest video essay at the Society for Cinema & Media Studies conference – alas held online rather than in Chicago as planned. It was part of a great panel on “Genre in the Age of Transmedia,” where the presentations included both typical papers and videographic pieces. I screened this new […]
Filed under: Conferences, Genre, Television, TV Shows, Videographic Criticism | 1 Comment
Tags: breaking bad, scms
Skyler’s Nightmare
Last week I shared the epic five-part miniseries “Skyler’s Story,” retelling Breaking Bad from Skyler White’s perspective via a hybrid of women’s melodrama and experimental dual projection film. It took me weeks of work to assemble the 160-minutes from hours of footage, and thus I certainly felt a sense of accomplishment in completing the series, […]
Filed under: Fandom, Television, Videographic Criticism | 1 Comment
Tags: breaking bad, character, remix video
From the earliest conception of my audiovisual book, “The Chemistry of Character in Breaking Bad,” I imagined that I would do a video on Skyler White, with the goal of situating her story at the narrative center of the series. In the first project proposal back in 2018, I wrote this chapter summary: “Skyler’s Story: […]
Filed under: Complex TV, TV Shows, Videographic Criticism | 2 Comments
Tags: breaking bad, character, videographic criticism
In the spirit of the season, I am pleased to announce a gift to anyone who wants it: a new open access, multimedia site, The Videographic Essay: Practice and Pedagogy, available at videographicessay.org. This site collects both previously-published and new versions of writings by Christian Keathley, Catherine Grant, and me, as well as numerous examples […]
Filed under: Academia, digital humanities, Media Studies, Open Access, Publishing, Teaching, Videographic Criticism | 1 Comment
This weekend, a teaser dropped for what had been only rumored-about for the past year: the Breaking Bad movie! Named El Camino, presumably for the car that Jesse drives off to escape his Nazi prison in the series finale, the film presumably focuses on Jesse’s life after Breaking Bad. While we’ll have to wait until […]
Filed under: digital humanities, Fandom, Television, Videographic Criticism | 3 Comments
Tags: breaking bad, character, vidding
After a week of vacation, I’ve returned to my project creating video chapters for my audiovisual book, “The Character of Chemistry in Breaking Bad.” After letting these videos sit for a couple of weeks, I’ve made some final tweaks and am ready to share drafts of two more chapters: “Walter’s Whiteness” explores the role of […]
Filed under: digital humanities, Narrative, Television, Videographic Criticism | 2 Comments
Tags: breaking bad, character, race
More videographic news!
For the last two weeks of June, we welcomed another cohort of budding videographic scholars to Middlebury for our Scholarship in Sound & Image workshop, now under the auspices of the Digital Liberal Arts Summer Institute. Fourteen strangers came in together, and a robust community of practice emerged at the end, with amazing drafts of […]
Filed under: Academia, digital humanities, Middlebury, Television, Videographic Criticism | 1 Comment
Tags: breaking bad, videocamp, videographic criticism
I’m writing this from Pamplona, Spain, where I’m attending the 2019 Conference for the International Study of Narrative. Just now I had the pleasure of chairing a panel on Videographic Criticism & Serial Narrative, where Kathleen Loock, Sean O’Sullivan, and I all presented video essays – a first for this conference, which is more predominantly […]
Filed under: Academia, Conferences, digital humanities, Narrative, Television, Videographic Criticism | 1 Comment
Tags: breaking bad, videographic criticism
Apply to Attend Videocamp 4!
As I’ve written about before, I’ve had the great pleasure of co-directing a summer workshop, Scholarship in Sound & Image, with my colleague & friend Christian Keathley at Middlebury over the past few years. The three previous iterations of the workshop have been funded by the National Endowment for the Humanities, allowing us to bring […]
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Tags: videocamp
My Plans for an Audiovisual Book
As of today, I am officially on leave for the next academic year. I recognize what a privilege it is to get such a leave, as the tradition of the tenured academic position with regular leaves for focused research is becoming more rare and confined to elite institutions (and only some appointments within such institutions […]
Filed under: Academia, Complex TV, digital humanities, Narrative, Open Access, Publishing, Sabbatical, Television, Videographic Criticism | 7 Comments
Tags: breaking bad, character
In April, five of my students formed a panel at Middlebury’s Spring Student Symposium out of my Fall course Videographic Film & Media Studies, where they presented video essays that were created in the course. Alas, I was away at a conference during the symposium, so I could not see the panel, but reports were […]
Filed under: Middlebury, Teaching, Videographic Criticism | Leave a Comment
Tags: The Wire, videographic criticism
I’m excited to announce two upcoming opportunities in 2018 to explore videographic criticism as a method in film & media studies! The first will be a new type of session at the 2018 Society for Cinema & Media Studies Conference in Toronto: a seminar on March 18 called “Making Videographic Criticism: The Videographic Epigraph.” Kevin […]
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Tags: videocamp
The Return of Videocamp
The month of June was spent preparing for, and then leading, the second installment of our NEH-funded workshop, Scholarship in Sound and Image, a.k.a. “videocamp.” (See this excellent article that my student Will DiGravio wrote for our local paper for a good account of the workshop and ideas behind it.) Much like the first iteration […]
Filed under: Academia, digital humanities, Videographic Criticism | 2 Comments
Tags: Better Call Saul, The Wire, videocamp