Posts Tagged ‘videocamp’

It’s been more than two years since I posted to this blog, but I’m back with some good news. Obviously, it’s been a not-great couple of years of silence, although comparatively I have little to complain about personally or professionally. Things have sucked, but far less for me than for many people. But for 2022, […]


For the last two weeks of June, we welcomed another cohort of budding videographic scholars to Middlebury for our Scholarship in Sound & Image workshop, now under the auspices of the Digital Liberal Arts Summer Institute. Fourteen strangers came in together, and a robust community of practice emerged at the end, with amazing drafts of […]


As I’ve written about before, I’ve had the great pleasure of co-directing a summer workshop, Scholarship in Sound & Image, with my colleague & friend Christian Keathley at Middlebury over the past few years. The three previous iterations of the workshop have been funded by the National Endowment for the Humanities, allowing us to bring […]


I’m excited to announce two upcoming opportunities in 2018 to explore videographic criticism as a method in film & media studies! The first will be a new type of session at the 2018 Society for Cinema & Media Studies Conference in Toronto: a seminar on March 18 called “Making Videographic Criticism: The Videographic Epigraph.” Kevin […]


The month of June was spent preparing for, and then leading, the second installment of our NEH-funded workshop, Scholarship in Sound and Image, a.k.a. “videocamp.” (See this excellent article that my student Will DiGravio wrote for our local paper for a good account of the workshop and ideas behind it.) Much like the first iteration […]


As mentioned last month, we’ve been fortunate enough to get another NEH grant to conduct two more videographic criticism workshops at Middlebury, in June 2017 and June 2018. We are now accepting applications for the 2017 workshop, which is open to graduate students in Film & Media Studies or related disciplines. Please spread the word […]


I am tremendously excited to announce that Christian Keathley and I received another Institute for Advanced Topics in the Digital Humanities grant from the National Endowment for the Humanities, allowing us to host two additional years of our videographic criticism workshop, Scholarship in Sound & Image, at Middlebury College in 2017 and 2018!!! The first workshop […]


I’m excited to announce the publication of my latest book, The Videographic Essay: Criticism in Sound and Image. [Update: as of 2019, the content is open access!] It’s a gratifying publication in many ways. It is the first project that I have co-authored with my good friend and colleague Christian Keathley, and as such, it was […]


I am quite excited to announce my newest publication, as it marks my first venture into a fully realized work of videographic criticism. “Adaptation.‘s Anomalies” was just published in [in]Transition, culminating a project I began at the Scholarship in Sound & Image workshop we hosted in Middlebury last summer. (I’m also presenting the video on a […]


One of the outcomes for the Scholarship in Sound and Image workshop we hosted in June is a forthcoming book, The Videographic Essay: Criticism in Sound and Image, that Christian Keathley and I are writing/editing. I’ve written a chapter focused on copyright and fair use issues, which I have posted below for open commentary and […]


The last two weeks were some of the most exciting and energizing of my academic career. My colleague Chris Keathley and I hosted an NEH-sponsored digital humanities workshop at Middlebury, called Scholarship in Sound & Image, focused on producing videographic criticism. We define videographic criticism as creating videos that serve an analytic or critical purpose, […]